Goldfinger, in black tie and chucklesome mood, trots down to greet Bond and explain the function of this swish new toy. He awakens in a basement control room tied to a table, with a block of solid gold between his outstretched legs, and a laser dangling down towards him from the ceiling above. The sceneĪfter sneaking around the Swiss metallurgy plant of up-to-no-good bullion dealer Auric Goldfinger (Gert Fröbe), Bond has been captured and knocked out when his Aston Martin crashes into a concrete wall. If you’re going to make 007 break a sweat, you have to take your most elementary lesson from Goldfinger (1964), with an industrial laser carving its path towards Sean Connery’s crown jewels, and the villain not even hanging around to watch. We could have picked Rosa Klebb and her switchblade shoes in From Russia with Love Roger Moore skiing off a cliff as The Spy Who Loved Me starts or a personal favourite, the sky-high scuffle out the back of a cargo plane in The Living Daylights.īut let’s keep it archetypal. So, though, are the bits everyone remembers vividly from the best Bonds. His franchise is so unapologetic about leading with its set pieces – with their trademark fusion of high tech and low innuendo – that great moments even from the most piffling films are easy enough to come by. It was only a matter of time before this series alighted on James Bond.
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